Edit 9A’s Avid Adrenaline with real-time 10-bit HD-SDI to varied sources such as HDCAM, DVCPRO, DS decks, and cameras enables editing of multi-stream HD with real-time effects, real-time SD down-converts, transcoding, re-digitizing, and output to both HD and SD simultaneously.

Edit 9B’s Symphony Nitris combines the Symphony finishing toolset, real-time primary and secondary color correction with real-time uncompressed HD Nitris DNA hardware. The media processing power of Nitris hardware delivers multiple streams of 10-bit uncompressed HD and SD video, so clients can see real-time effects immediately. High-end broadcast, cable, net, and corporate video producers can take advantage of HD Total Conform automatically to rebuild rough-cuts, effects, titles, and graphics in HD and deliver 24fps-originated material to multiple formats with ease.

Edit rooms 9C & 9D, equipped with Avid Media Composer, the industry standard for non-linear film and video editing, enable clients to combine HD, SD, DV, and film formats and resolutions to achieve the greatest possible editing flexibility prior to conforming and color correction on the Nitris system.

Our audio post room houses a ProTools HD 5.1 Surround system integrated with the edit rooms monitoring on Genelec speakers.